LEBANON VALLEY COLLEGE MRT/ MUSIC BUSINESS PROGRAM
Digital Audio MRT 374 - Spring
2002
Class Time: MWF 9:00 - 9:50
Classroom: Blair Room 228
Instructor: Professor Jeff Snyder
Office: 229 Blair Music Office
Complex Telephone: 867-6277 Office E-mail: Snyder@Lvc.edu
This syllabus
is a general description about the purpose and goals of the class. You should
read it through so as to understand the parameters and requirements expected
of you. Please ask the instructor about any portion of this syllabus that
you do not understand. The instructor retains the right to modify this syllabus
at anytime. If this takes place, students will be informed before the modifications
are implemented.
COURSE DESCRIPTION:
This course is an exploration
of the principles and applications of digital audio in today's recording and
interactive media industries. Topics discussed include: digital audio fundamentals,
recording and reproduction systems theory, computer and hardware based recording,
editing, and audio for music and other media applications. The class will
consist of lectures, demonstrations, labs, and student presentations.
The class will consist of
both lecture and real time use of digital audio software and hardware.
COURSE OBJECTIVES:
Upon completion of the course,
students will be able to:
SOFTWARE:
Software covered will include ProTools,
audio editors, Cubasis VST, and other programs.
TEXT:
Ken C. Pohlmann. Principles
of Digital Audio, Fourth ed. McGraw - Hill, 2000.
Students must purchase storage
media to be used in class. New media, rather than used media, is highly recommended.
Macintosh formatted Zip disk - 100 Mg (Do NOT use PC formatted zip or try to reformat
a PC Zip to Macintosh. Problems with PC formatted disks have been experienced,
usually right when a project is due). Another Zip is recommended for back-up
purposes.
CD-RW -Macintosh formatted.
8MM Hi8 Video Cassette for
Tascam multi-tracks. Hi-8 tapes
can be purchased at most any department store.
It is up to each student
to back up data. Failure to present or turn in a project because of lost
data will result in a failing grade for that project. Lost data due to crashes, dogs, hurricanes,
meteors, or nuclear holocaust will not excuse the student from meeting deadlines.
SAVE OFTEN. BACK UP DATA. EXPECT THE UNEXPECTED.
Each student will be cognizant
of hard drive space for each computer. Each student will trash his or her
material at the end of a session unless permission is granted by the instructor
to leave the data on the hard drive. The instructor reserves the right to
erase any material on a hard drive that has not been pre-approved for storage.
COMPUTERS:
Most all of the software
used for assignments can be found on the iMacs in the DAW lab, rm. 218, as
well as in Studio B. The piano lab (Rm. 218) houses 16 iMacs that will hold
most of the covered software. The lab is open for student use most evenings,
a key is not needed The use of the studios, computers, and hardware is a privilege,
not a right. This privilege can be revoked.
If a computer crashes for
any reason, simply move to another computer. Blaming the computers for: incomplete
work, not meeting project requirements, lost data, missing deadlines, etc.
will not be tolerated.
INTERNET:
TESTING:
The possible points for each
test, assignment, report, etc., will be announced when they are given to the
class:
Grading will be based on
the following criteria:
Standards for Evaluation
Number-to-Letter Conversion:
0-59 F, 60-62 D-, 63-66 D,
67-69 D+, 70-72 C-, 73-76 C, 77-79 C+, 80-82 B-, 83-86 B, 87-89 B+, 90-92
A-, 93-100 A
A = superior, B = above average, C = average, D = below average,
F = failing
The instructor retains the privilege of changing the number
of exams and point values.
The mid-term and final grades
will be calculated by taking the total points of all assignments and comparing
them to the total points earned.
PROJECTS:
Learning about MIDI, synthesis,
and software is up to the self-initiative of each student. Projects are given
as introductions to various aspects of electronic music. Completing the minimum
requirements for projects will result in average grades.
Time
Individual Projects
Attendance will not be monitored
for this class.
Tardiness:
INSTRUCTOR
CONTACT:
The instructor’s
office hours are posted on his Website as well as on the door of his office.
Though students may try to drop by for consultation, it is highly recommended
that appointments be made. Arranging an appointment is best achieved by stating
in E-mail, or in discussion before or after class, the purpose of the appointment
and possible times to meet. The instructor is more than willing to meet
with any student that wishes to speak to him. Students must take the initiative to meet the instructor
to discuss any class or personal issues.
ORDER OF SUBJECTS COVERED
Subject
Reading
Class Parameters
Acoustics Review
1-4
Digital Basics: Binary
code
5-10
Analog VS Digital
Intro to Linear MDM
/ lab
18-19/179-194
Fundamentals of Digital
Audio
21-47
Intro to Digital Editing/DAW
496 - 508
Incoming components
50-82
DSP
593-642
Digital reproduction
79-117
Errors: detection -
correction
129-167
Errors cont. - jitter, Data
reduction - multimedia, perceptual coding
303-362, 117-124
Data compression -
MPEG, Data reduction/ 520-536,
Audio and Video
Digital storage: DAT,
CD, DVD
243-300, 195-216, 363-413
Synchronization: SMPTE
Digital transmission:
Internet, MP3
223-226
It is the responsibility of the student to read and understand
this syllabus. If a student does not understand any portion of this syllabus,
the instructor will be glad to answer any questions. If a student does not
ask questions, the instructor will assume that the student understands and
agrees to the requirements as stated. If a student does not agree to the
class parameters as set forth in the syllabus, the student must withdraw
from the class the first week of the semester.